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Type:Program
Subject:Politics
Artist:Viktor Deni
Date of Creation:1930
I believe this is a program for an exhibition of Russian communist political satirist and poster creator Viktor Deni. It is titled “WE, our friends and our enemies” and is mostly a biography of the artist. It is in three languages on the title page: Russian, English and French. I have included rough google translations of the contents, which are not perfect but you can garner an idea of what it is about. There is a dedication on the front, but I am unable to translate. It may be A. Lunatscharsky as listed on the title page but I am not sure. Only 1500 copies printed, so this is likely a very rare item. Rough translation: WIR, UNSERE FREUNDE UND UNSERE FEINDEIN DENI’S KARRIKATURENWE, OUR FRIENDS AND OUR FOES IN DENI’SSKETCHESМЫ, НАШИ ДРУЗЬЯИ НАШИ ВРАГИ В РИСУНКАХ ДЕНИNOUS, NOS AMIS ET NOS ENNEMIS DANS LESDESSINS DE DENIVorrede von A. Lunatscharsky Introduction of A. Lunatcharsky Préface de A. Lounatcharskyс преди са овие и А. В. ЛУНАЧАРСКОГОDersetzung von V. Givetov Traduction of V. Givote Traduction de V. Girotorв с. животовой1930 STAATS VERLAG THE STATE-EDITION L’EDITION DE L’ETATNOSAU – LENINGRAD HOSCOW – LENINGRAD OSCO – LENINORD19 зо ГОСУДАРСТВЕННОЕ ИЗДАТЕЛЬСТВОМосква – ЛЕНИНГРАД WIR, UNSERE FREUNDE UND UNSERE FEINDE IN WE, our friendsand our enemies FIGURES DENIS NO US, NOS AMIS ET NOS ENNEMIS A. Lunatcharsky Preface de A. Lounatcharskywith a preface and A. V.LUNACHARSKY Dersetzung von V. Givetov Traduction of V. Givote Traduction de V. Girotorvin. belly1930 STAATS VERLAG THE STATE-EDITION L’EDITION DE L’ETATLENINGRADNOSAU -HOSCOW – LENINGRAD OSCO – LENINORD19 zo STATE PUBLISHINGMoscow – LENINGRAD ОТПЕЧАТАНО . в 14 орохоор татаграфаГосари, Мосям, Валовая, 28. Гаалит А дого. Том 17a54, Зак. N 2407. Тираж 1500 экз.22 л А. PRINTED. at 14 Orohoor TatagrafaGosari, Mosyam, Valovaya, 28. Gaalit A dogo. Volume 17a54, Zac. N 2407. Circulation 1500 copies.22 years A. He can lend to aims any possible expression smiling at a table, expressing a whole range of nuances. Often an expression found by Deni could not be determined by a tirade, a half-page of text. What did he do to create it? He threw in a little dozen small pencil lines.Den’s powerful art is sparkled by an inner flame, Deni is not only dessi natur, he is a poet. He makes literary work with his pencil.What he has in particular is the liest humor, the fine and sweet smile with which he gives us, so to speak, friendly little pats to us and our friendsSee for example this delicious board o Kalinit is seated with a peasant in front of a gigantic samovarIt is, one can well say it a masterpiece of the finest humor which only exists and underlines you nothing.Wrath and contempt are also familiar & Deni. It is above all the impe bourgeoisie. risliste that he fills with his hatred. He treats her with ferocity by revealing his ferocity to her. He hates her and with her touch he passes from sarcasm to laughter, but it is a site full of so much indignation which expires in place of dirty indignation.And with that same brilliant mastery.Above all, the Social Democrats inspire him with contempt. Indignation is a feeling which is difficult to unite; the latter testifies to a certain point of a victory won over my adversary and we have not yet won over the bourgeoisie the definitive victory which gives us the right to draw from it. We only laugh from top to bottom. The Democratic Socialists deserve contempt in the first place and to paint them Deni finds the draw which would almost be close to a sweet rumor under this softness one did not feel steel claws scratching the opponentVoyer, is not it comical that Scheidemann with a big sentimental eye, contemplating with pleasure a decoration? Isn’t it with brilliant humor that Deni gives us the superb Kautsky lying on a large volume of Marx and surrounded by all the petty attributes of his bourgeois household?But like those pitiful bourgeois, these philistines & cing under the douraine, nevertheless imagining themselves to be politicians by their capacities, by what they possessed or passed Sadis some intellectual gifts which contributed to make them rise rather high on On the political scale, it is natural that the stripping of their petty bourgeoisie and employees’ demeanor cannot fail to affect them painfully, them and their admirers.A few words about Deni’s technical processes. They are varied. Yet Deni prefers the line of see pencil,and the lines Targes and spots. He remains a designer par excellence and in this field he is admirable.His main lines are striking with their virtuosity, their boldness, they flow in one stroke. The small lines add with rare precision a characteristic feature to the other tending to obtain the maximum of the force of expression. And always all his pages and all his vignettes bear a stamp of high culture, of the most sure taste and for that very reason are beautiful, beautiful even as Deni paints the stiffness, even though his hand which never trembles throbs with fury.Each of us, thinking and feeling like Deni, will leaf through this album with a special feeling of admiration and people entirely foreign to all ideas, our very enemy, if he is loyal enough to recognize the truth in the realm of artistic preciation, if he possesses a sure godt, will be forced to lavish his praises on Deni, as on the master of his art, while overwhelming him with insults because of his hasty tendencies. A. LoursatcharskylooksINTRODUCTION Anyone whothrough these pages thoughtfully will, above all, be amazed over and over again. Breast talent for graphic art is namely that whichin the collection of his works, whichexcites Steunen mostis valuable to chaiten. He only works with political cartoonists and illustrators. I remember him when he came to me when he was still young and very sick looking and confessed sadly that he was tired of poking around with his pencil at things that were acceptable to the old world, that he welcomed the revolution to Wine Krate i von wolle von dedicate. That later too. And now it’s been ten years since he has done some talented work on the political front of our revolution.In Deni we have an amalgamation of a strong political spirit with a light artistic tulente who has an inhospitable understanding of the situations and the relations between us, our friends and enemies.The first thing everyone will notice in Deni’s art is the fact that there are living people whom he depicts on his sheet. And that, however, is not a photographic similarity. This is something more intimate and deeper.It is incredibly similar to even those he has never seen. And what is more, this resemblance is so strong that you had never seen it either, so you will immediately be amazed that these people of their psycho-physical soundness can only look as Derti describes them.Take, for example, the sheet where we are given a large picture of Baldwin. Isn’t that a half-gentleman balbakslen face, so much from the master and so much from the servant in itself, so much wobbly and at the same time lackluster, so much traditional shininess and no less traditional stupidity, well-known traditional stupidity. Isn’t that Baldwin with his politics and his positionin the world? Certainly he is! And if you take his picture in your hand, you will immediately see that Deni has hit his face extremely accurately, more precisely than a photograph could do. The photography only showed the outside of the biting palette of the subject: Deni wiped away the paint and gave us a Baldwin’s face that is, so to speak, representative of his intimate nature and the total sum of his usual reflexes.Or that sheet. This time with the symbolic addition of harm – the face of ChiangKai-Shek. We only know Chiang Kai-Shek from photographs and from the cinema. Chiang-Kai-Shek possesses a peculiar, youthful grace for his age. Without an iota of his facial features, but by means of a few intuitively displaced lines and exaggerations, he puts all his inner content into tones. Just look at this soldier’s cap, like ale aul her face pushed, how the wooly ears protrude from under her, how merciless the little one. If you look at the tissue-like eyes covered by the mass screen, you look at the pelvic bones cast out of metal, this bestial mouth. Everything speaks of a strong will, of a total lack of conscience, of human companions, of mechanical honor. This is an executioner, not an ordinary executioner who carries out the orders of other people, but the executioner general. Measures 11 3/4 by 9 Box J 07012021Weight 3 ounces
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